Raag Hameer
Raag Hameer is derived from Kalyan Thaat. Both Teevra and Shudh Ma swaras are used in this raag. It is a Veer-Rasa (i.e. it gives...
Raag Kamod.
Raag Kamod comes from Kalyan that.It has shadows of Malhar,Hameer,Kalyan with a glimpse of Kedar and Chhayanat.Both the Madhyams are used in this raag.Teevr Madhyam...
Puriya Dhanashree.
Raag Puriya Dhanashree comes from” Poorvi ” Thaat.It is an evening Sandhi Prakash ARaag.Re and Dh are komal and Ma is Teevr in this raag.Poorvi...
Adharvdarshak Swar.
In Classical music,Madhyam swar plays an important role in deciding the time of singing raagas.it is known as Adharvdarshak swar.Morning raags have influence of Shudh...
Shruti.
Shruti comes from sanskrit word “Shru” which means listening.The smallest interval of pitch that human ear can detect.In a Saptak there are 22 Shrutis.They are...
Raag Multani
Raag Multani is avery melodious raag belonging to Todi Thaat.It is a Meend Pradhan Raag.Re Ga Dha and Ni are used as komal Sur.Ma sur...