Raga – Gaud Sarang
Raga Gaud Sarang by Kishori Amonkar Gaud Sarang is a raga in Hindustani classical music that combines characteristics of Sarang raag and Gaud raga (Gaud...
Praveshika Pratham.
Total Marks:75. Pass Marks:26. Practical:60,Theory:15.No written Exam. Raagas:Yaman,Kafi,Khamaaj,Bhimpalasi,Baageshri,Bhoop,Des,Durga. Students should well versed with Aarohan/Avrohan,Pakad,Prarambhik Aalap/Swar elaboration of all Raagas. One bandish of each raag should...
Jai Jaivanti
Raag Jai Jaivanti comes from Khamaaj That.It is a Vakr Sampoorna Raag.This raag has Two Gandhar and Two Nishad.In Aarohan the Ga and Ni used...
Shudh Kalyan.
Shudh Kalyan raag is derived from Kalyan Thaat.According to Bhatkande school of classical music Ma and Ni are not taken in Aaroh but Avroh is...
Raag Malkauns.
Raag Malkauns is a very popular Hindustani classical Raaga.In South it is known as Hindolam.The raag has a strong public appeal.Rishabh and Pancham swars are...
Grah, Ansh and Nyaas
In olden times hindustani classical music followed a strict form. Raga had some stringent rules too. The swara with which a Raag starts was called...
Poorv Raag
In hindustani classical music,there is definate time to sing a particular raag.Raagas sung between afternoon 12 to midnight 12 are known as Poorv raag or...
Raag Bhairavi.
Raag Bhairavi is the main representative of Bhairavi That.It has traditionally been performed in morning.But nowadays it is performed at any time provided it is...
Raag Asavari
Raag Asavari or Shudh Re Asavari is a fundamental raag in Asavari that.It is very similar to raag Jaunpuri only diiference being Komal Ni being...
Bhimpalasi.
Raag Bhimpalasi belongs to Kafi that.This raag is very much associated with hot Indian afternoon.It has five notes ascending and seven notes descending.Kafi that is...